A group of nineteenth century English farm laborers who formed one of the first trade unions and started a campaign to receive fair wages. Parental Guide. This was highly confusing to me since I thought he was playing the same role previously. Norton later plays a labour boss in Australia overseeing a work detail and in a highly disgusting scene goes into a hut and gets a dog to perform oral sex on him.
There were such possibilities and opportunities to be grasped in the making of this film. There was a marvellous cast I omit Keith Allen, whom I loathe and as for Barbara Windsor-she was totally out of place here who made the best of what they could with a less than expansive script.
There was some beautiful cinematography too in parts and a real feeling of the period in the costumes and sets but and I am reluctant to say this, a great deal of this movie was too slow and could have benefited from some judicious cutting.
I am a lover of this kind of story and subject matter so I felt nonplussed at times as to what was going on in one or two scenes. The film was far too long and slow to really hold one's attention. I could not get over the left wing bias that the film carried either- it was a natural result of the subject matter of course.
One thing I did like was the refusal to use a lot of exposition and explanation in the script but I think it may have got in the way of filmgoers who did not know their history, understanding the whole thing. Overall rather a disappointing film, a story which could have been told so much better and more succinctly.
Working class filmmaker Bill Douglas followed his much lauded autobiographical trilogy with this British Film Council funded poor man's epic about the Tolpuddle Martyrs and their struggle to establish an early trade union that was a worthy winner of the BFI Sutherland Trophy and a fitting final film for the director. Soans puts in a strong central performance with able support from Gaminara, Bateman, Davis, Flynn and a roguish Allen, whilst Hordern, Jones, Fox, Windsor, Redgrave and an astonishing debut performance Staunton rounds out the cast and the omnipresent Norton fills in everything else.
Users' Rating. The line between the incidents of Singur and Nadigram are blurred, leaving the audience confused about what is happening where. True, the rape and murder of Tapasi Malik, the suicide by a farmer, the barricading of roads by the local resistance and the police firing that killed many at Nandigram in are shown in the film, but the portrayal is confusing at best.
Who is the woman who leads the protests from the front, but immolates herself in the end? Does it have something to do with disillusionment with what happened after the twin incidents? Blurry again. And at the forefront is Prasun. The actor literally fills you up with disgust as he goes about raping and killing with his comrade in arms, Anindya Banerjee.
The duo, who play party-backed goons in the film, are merciless killers. Their body language and expressions truly make them the high points of the film. Even Moubani delivers a powerful performance of a scorned woman activist, who is raped, and then paraded naked down the village square.
That takes so much away from the seriousness of the issue. Technically speaking, the film does have some spectacular shots. The use of drones in some shots and other night shots will surely make you sit up and look.
Brush effects with an overdose of red make the scene seem rather amateurish. Facebook in ? True, the social networking site was launched in , but even in , it was not as popular as Orkut in India. And yes, red. Kharaj spends almost the entire film sitting in a red room, holding a red manifesto. Anyway, Comrade is a recap, most might not want to be part of.
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